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GEORGE LEIGHTON DAHL 


WITH PREFACE BY 
PROFESSOR GEORGE H: EDGELL 


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THE ARCHITECTURAL BOOK PUBLISHING COMPANY 
PAUL WENZEL 6 MAURICE KRAKOW- 3LE12"ST- NEW YORK. 


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ROSVEYSDEEOVIID WILE EEL CEE 
fiber Ak COMPANION OF MY STUDIES AND TRAVELS 
ANDSLOMY DEAREST MOTHER 
THIS VOLUME tS DEDICATED. 


HE profession of teaching involves many sacrifices, but offers as many re- 

wards. Perhaps the greatest of the latter is the opportunity to observe the 

progress and development of pupils after they have left school or univer- 
sity and have entered the profession for which the teachers have striven to fit 
them. A passage in the manuscripts of Leonardo da Vinci states that “it is a 
very poor pupil who does not surpass his master.” Perhaps this is optimistic, yet 
in the teaching profession it is a common experience to see a pupil absorb all that 
he can from his teachers and then go far beyond them when he meets reality in 
the great world and applies their precept to new problems. 


In no field of learning or creative instruction is it more fascinating to watch 
the progress of pupils than in the Fine Arts and especially Architecture. The proc- 
ess is long. No student becomes an architect because he has been dubbed with the 
degree of Master in Architecture. This accolade merely invites him to go out and 
_ prove himself. He must continue to study, he must serve others in an office, he 
must travel and observe the masterpieces of others, past and present, before he 
can consider himself truly a member of the profession he has chosen. To this end, 
scholarships are offered and brilliant pupils are encouraged to travel as widely as 
possible before settling into the harness of office routine. It then becomes the priv- 
ilege of the teacher to follow the voyages of the pupil, to guide him to great monu- 
ments, famous or obscure, to observe him collect material which will be useful to 
him throughout his career, to rejoice with him in the stimulation of his artistic 
imagination, and to thrill anew at the enthusiasms of an artist seeing the great 
works of fellow craftsmen for the first time. 


The ambition of every graduate of a school of architecture is to get to Europe 
as soon as may be. Many travel widely before graduation, but all feel properly 
that, however careful their training at home may have been, it is incomplete until 
supplemented by personal study of the solutions of their problems by the great 
masters of the past. A sensitive student finds material in any country which he 
may visit, but the three great sources for modern inspiration are Italy, France, 
and England. Of the three, we are probably most familiar with the Italian field. 
Italy, as the home of classical culture, is regarded by all countries as the prime 
source of inspiration. In America, too, we have especial sympathy and ac- 
quaintance with English work, thanks to our colonial tradition and our racial and 
lingual affiliations. Of the three, France, therefore, despite the enormous artistic 
debt which we owe her, probably will best repay the seeker of unpublished archi- 
tectural material. To be sure, American students of architecture have flocked to 
France for a generation. Many of the most brilliant are graduates of the Beaux 


1X 


Arts. The most famous monuments are carefully studied and adequately pub- 
lished, but there remains a wealth of material awaiting the eye and the pencil of 
the student. 


To appreciate this, we must remind ourselves of the architectural inheritance 
of France. For the modern student, the word evokes the Beaux Arts, the French 
Academy, and the classical tradition which goes back to Le Brun and earlier. Too 
often we forget the artistic control exercised by Paris throughout the middle ages, 
and the Gothic style, developed in France, which gave to European architecture 
its impress for three centuries. Even when this style was first tempered, then de- 
stroyed, by the classical revival of the sixteenth century, its influence lingered in 
the refinement and in the imagination which French genius showed. The inher- 
ent taste which produced the best French Gothic is reborn in the successive clas- 
sic waves of the styles of the Valois, of Henri IV, of Louis XIV, and of Louis XV. 
Fach wave left monuments, some few magnificent and widely known, hosts of oth- 
ers humble, obscure, but none the less stamped with French genius and inexhaust- 
ible in material and inspiration for the modern architect. It is from this humbler 
material, or from less known details of the greater monuments, that Mr. Dahl has 
drawn the illustrations which make up this book. 


Few students could bring a better equipment to the task. A graduate in archi- 
tecture of the University of Minnesota, Mr. Dahl entered the Graduate School of 
Architecture at Harvard and received the Master’s degree in 1922. A brilliant 
student in all fields, he distinguished himself especially in draughtsmanship and 
design. The year of his graduation, he was awarded, by the Faculty of Architec- 
ture at Harvard, the Nelson Robinson, Jr., Travelling Fellowship, open to the most 
promising graduates of the School, under the age of thirty. This assured him 
eighteen months of travel, and he left immediately for Europe. 


The present book is one of the results of his journey. It lays no claim to com- 
pleteness, nor even to coherence, in the selection of the monuments. It pretends 
to be no more than a compilation of interesting and instructive material by a sen- 
sitive and eager artist, working swiftly, but carefully, to make the most of the 
opportunities offered by an artistic pilgrimage. No illustrated material can ever 
take the place of original observation, but architects will none the less welcome 
this permanent and scientific record of one phase of a student's activity in France. 


February, 1925. G.-H. “EpGELE 
Harvard Umversity. 


List of “Plates 


Frontispiece, Vienne, Porte de l Ambulance. 

= AIX Ste oauveur, 

3-4. Albi, Archeveche. 

5-6. Albi, Maison Enjalbert. 

7-8. Angouleme, Cathedral. 

9-10. Arles, Church. 
It=12) Aries, Prison: 
13-14. Aurillac, Hotel des Consuls. 
15-16. . Aurillac, Hotel des Consuls. 
17-18. Autun, Cathedral. 
120s et, ots. Lazare: 
21-22. Avignon, Hotel des Monnaies. 
23-24. Avignon, Hotel des Monnaies. 
25-26. Avignon, Notre Dame. 

7-28. Avignon, Papal Palace. 
OQ] “Avignon, Papal Palace: 
31-32. Avignon, St. Didier. 
33-34. Avignon, Tower of St. Jean. 
35-36. Azay Le Rideau, Chateau. 
37-88. Azay Le Rideau, Chateau. 
39-40. Blois, Chateau. 
41-42. Blois, Chateau. 
43-44, Blois, Chateau. 
45-46. Blois, Chateau. 
47-48. Blois, Chateau. 
49-50. Bordeaux, Porte de Cailhau. 
51-52. Bordeaux, Ste. Croix. 
58-54. Bourges, Cathedral. 
55-56. Bourges, House of J. Coeur. 
57-58. Bourges, House of J. Coeur. 
59-60. Bourges, Porte St. Ursin. 
61-62. Brioude, St. Julien. 
63-64. Brioude, St. Julien. 
65-66. Cahors, Cathedral. 
67-68. Cahors, St. Etienne. 
69-70. Cahors, St. Etienne. 
(i-72, Cahors, House of Tenry 1V. 
73-74, Charheu~ Church, 
75276, Charheu,. Church, 
"7-78. - Clermont Ferrand, Notre= Dames Du torn, 
v9-80. Clermont Ferrand, Notre Dame Du Port. 
81-82. Clermont Ferrand, Notre Dame Du Port. 
83-84. Clermont Ferrand, Residence. 
85-86. Clermont Ferrand, Residence. 
87-88. Cluny, House. 
89-90. Cluny, School. 


PLATE NO. 


91-92. “ssoire* ot. Paul 

93-94... Issoire, St. Paul. 

95-96. sCayrace Church: 

97-98. Layrac, Church. 

99-100. Le Mans, Cathedral. 
101-102. Le Mans, Cathedral. 
103-104. Le Mans, St. Julian. 
105-106. Le Mans, Hotel du Gravatoire. 
107-108. Le Mans, House in Grande Rue. 
109-110. Le Mans, House Place St. Michel. 
111-112. Le Mans, St. Benoit. 
113-114. Le Mans, No. 11 Grande Rue. 
115-116. Le Mans, No. 11 Grande Rue. 
117-118. Le Mans, No. 11 Grande Rue. 
119-120. Le Mans, No. 11 Grande Rue. 
121-122. Le Puy, Cathedral. 
123-124. Le Puy, Notre Dame. 
125-126. Le Puy, Hospital. 
127-128. Le Puy, Hospital Chapel. 
129-130. Le Puy, Museum. 
131-132. Le Puy, Parochial School. 
138-134. Le Puy, St. Michel. 
135-136. Le Puy, Temple of Diana. 
137-138. Le Puy, Temple of Diana. 
139-140. Limoges, St. Etienne. 
141-142. Moissac, St. Pierre. 
143-144. Montferrand, No. 29 Rue de la Rodade. 
145-146. Paris, Boulevard des Italiens. 
147-148. Paris, Cluny Museum. 
149-150. Paris, Cluny Museum. 
151-152. Paris, Library Ste. Genevieve. 
153-154. Paris, Palace of Justice. 
155-156. Perpignan, Museum. 
157-158. Poitiers, Hotel Fumee. 
159-160. Poitiers, Hotel Fumee. 
161-162. Poitiers, Notre Dame la Grande. 
163-164. Poitiers, Notre Dame la Grande. 
165-166. Poitiers,\St. Porchaire. 
167-168. Sury Le Comtal, Church. 
169-170. St. Denis, Cathedral. 
LTl-Vie = el arascon. sore Wiatiiias 
173-174. Toulouse, Hotel D’Assezat. 
175-176. Toulouse, Hotel Bernuy. 
177-178. Toulouse, Hotel Bernuy. 
179-180. Toulouse, Hotel de Roquettes. 
181-182. Toulouse, Hotel du Vieux Raisin. 
183-184. Toulouse, Hotel du Vieux Raisin. 
185-186. Toulouse, Hotel du Vieux Raisin. 
187-188. Toulouse, Museum St. Raymond. 
189-190. Toulouse, St. Sernin. 


X11 


PLATE NO. 


191-192. Toulouse, St. Sernin. 
193-194. Toulouse, St. Sernin. 
195-196. Tulle, Notre Dame. 
197-198. Uzerche, House. 
199-200. Valence, St. Jean. 
201... Avignon, Papal, Palace. 
202. Cahors, House of Henry IV. 
203. Chenonceaux, Chateau. 
204. Le Puy, Notre Dame. 
ZOO ULM 2 CS; ote tienne. 
206. Macon, House. 
207. Montferrand, St. Robert. 
208. Paris, Cluny Museum. 
209. Toulouse, St. Sernin. 


X11] 


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Cy Whi, ee IS) 


: ST-ETIENNE - CAHORS | 


69 


ETIENNE. 


CATO Rows le 


70 


2G Adbin ees 


HOUSE, °F HENRY IV~ CAHORS 


LT eae 


ie, 
eee ye 


HOUSE OF HENRY IV. 


’ 


CAHORS 


H sete eet oe = 


Ue ON RES 


if 
fy 
ke 


DoS 


SDE 


Te 


z= SLI AIA AD AIAG LOL 


Ete 
i 


6 S 
PL ante) 
ir fa 


LMA 


, 
ONGNONON ON ONANGRGN 21 ETRE es Ee ee ee 


Di LEE IR ERS 
© e 


, RELL DELILE RAL SEAN TELE CLE LG VLEET 
@ 


PAL DOR AEC CRD ANON RAEN OR A OMT RMS STE 
EMR OE IOGEAR: 
BARI EI ORR NEE ENE NEA I RS 
EOC TRELLIS GRO 
ES OLME NSE NC RETESET NE 


aimetiinthiniimie et ieee Ct, ee ae 


1 
O 
c2 
= 
ts 
O 
= 
eS 
+] 
c2 
< 
in 
0 


ein 


ee 


iy (ae 
BA LAID. IM 


CHURCH -CHARLIEU 


Gig oR Cia. 


76 


JaANLATNDS 


nt 
fee ee 
Seed 


SCL eT 


SBE 


3/3: SO" 


CIN ie 


DU PORE CLERMONT FERRAND 


| NOTRE DAME 


CLERMONT BERRAND, NOTRE DAME DU PORT, 


78 


==!) 


% : i 
ee es 4 ‘ 

a Sch AREA A 
Fok Lee eee Ta 

RE Rie 


Sten ae” 


" 


* 


CLERMONT FERRAND, NOTRE DAME DU PORT. 


Se 
A e 
hee vr 


J 
2 I; 
ibs 
2 


SSS 
<_< 
= DR, 3 
S 
SA 
DV 


t Ah 
hah 

ime ies oe eee Es 

= — Ca 

N Se 

Dy ENE 
TS 

B65 


iS 
es cere rae 


Ns 


iy 
| 


a $s 


—=—s 


Baten Soe eel corer 
Eee 

a 
eae 


SEC TIGN = 200 


BION voc HO SCAN See 


CLERMONT FERRAND, NOTRE DAME DU PORT. 


82 


SECM @ NED SECTION=GE 
VeVi Oa (_ SCALEMENO SECTION -BD 


| comer | 
| 


| | 
Sees 


I —— 


S.C ANG rt er 


RESIDEN CE « CLERMONT FERRAND 


83 


el ne 


Fetin Gute a es 


CLERMONT FERRAND, RESIDENCE. 


84 


x F 
VW SECA OK Ge 


care Oy ANE i 
DG (ie Se ls Gy 


| 


ie i 


| | 


oe 
Xo 
OOF 


Homi ie Ware SECTION= eae 


RESIDENCE «CLERMONT FERRAND 


85 


pis orem niibitinny 


CLERMONT 


FERRAND, RESIDENCE. 


86 


a 


: 
: 
- 
e 


a Me 


* 


i Cal) CaN 


o- 70 “ie! 40 Sot FoF ge: |iclmnonm OL! sro cammm |e 


HOUSE IN *CLUNY 


Keghicmieteh See e Slane wil eee S 


CLUNY, HOUSE 


88 


[eae 


OLTCTION Ax 


SPE ON ee 
SCI Mies Weve 8) SCA LIS 24 iaem 


5 CHOOL + CLUNY 


89 


CLUNYF SCrOoOL. 


90 


SEGTIONSpD 


ps amy TUT 
= 


OECTION Ax 


Hd 
} 
AS 


$ 4) 
nT TTT 
7 -) 


SCALT Ge 


ST: PAUL‘ ISSORE 


91 


; ISSOIR Eyes SeePAU 


O2 


eRe bree i bcjew 


ST: PAUL - ISSOIRE 


is 


ISSOTR ES apne 


94 


SECTIONS AA 
SGA CS wae lee) 


Wa 
CO 


Ss 
S 
S 
Sy 
> 
=| 


til py?) | 

OY TCT A Cat» | 
OTT ON 
D1 ah CAL: 

Q) LSP q 

uit | 


faa 


DB 


SCALE o/c t=O 


CHURCH ~ LAYRAC 


05 


eee 


* itedegeds 


LAY RAC, CHURCH: 


S CEA CeO Ome as 


—— = 


BiG pce Bb ee aiey 


CHURCH ~ LAYRAC 


LAY RAGS CHURCH: 


98 


SS OoA WOE ol coe ale com SCALE Ae 


CATHEDRAL - LE MANS 


99 


LEMANS; GATHEDRATL. 


100 


Steriecn BB 
SCALE Bide Or SG ALT eles 


i CATHEDRAL ~ LEMANS 


101 


LE MANS, CATHEDRAL, 


102 


DVOARGING YMA 


AKI 
WAS 
) 
R bz At) 
hy) 
<A (0) 
cS 


cae 


£5 .GiAW Ge abea as 


Renee ee 


103 


ST* JULIAN »- LE MANS 


GOSS 


eee 


wee 


wie 
Ga 
ce 
\) 
| ee ee 
EE 


| a t 
BEES ee SS) 
8 
S 


SC ATREiZeaes 


LE MANS, ST. JULIAN. 


104 


OfGTION= Kh 
WN Ie eal oe 


Olas 


ia 


| 


S Gilt ee oe 


HOTEL DU GRABAToIRE*LE MANS 


105 


SA sissies scents ei: S 


| 
! 


MANS, HOTEL DU GRAVATOIRE., 


SECO 


SCALE 34"-1-O 


| f \ y 
\ } \) b Zi 
| i ve i NI 
Aa WON \ \ iW ‘ BU, 
we 23 
| @ | 
i ‘ 
1 | / 
| | 
| \ 
l \ 
\ 7 u 
A \ a\\ iY) 
Ni 
} 
| 


/\ 
VA 


| / 


=z 
ee 


HT 


ae i 
Nit ie IIE —————————— 
a —h 


TMH TONE 
dt a 


a ED 


ia 


FIOUSE @ GRANDE RUE~LE MANS 


107 


LE MANS, HOUSE IN GRANDE RUE. 


108 


Ss 


S 
Ss oy 
Ssh = ance 
Aes cy, Arf” 2-3 Th “ Ve Lae “ 
oe. BD “2 Ligeia ae 


SECT VGN -AA 
DB 


=A See SN 
aS 


(GR DY | Ny 


wi 
Si, 
y 


ew J i; 
FG 2 
ee 

pr eet 
ee 

has eee 

Be = 
~ i q 
we | 


LEE 
a “ o “ 
W, Ysgy 
Qe g” 


SECTIONS 
BiCiNile! VAY TOY SCALE) a ax 


HOUSE PL-ST-MICHEL~LEMANS || 


109 


LE QMANS, HOUSE PRACH Si. MICE aE 


110 


S RC ICNe ote 


ieee anne 
3 zg 

ee ee ee 
G 


rh | 


Ee, 


DG) AN ee 


SECTION = 4h 


7 


WHE 
ING : 


(SS 


: 
2 
O 
a 
e 
im 
A 


Lt 


LE MANS, Sia BENOIT: 


112 


ieee hee ol Ce 


SEG Nn ele eens 


N&il GRANDE RUE-LE MANS 


ies) 


yout 


LE MANS, NOwit GRANDE RUE: 


114 


STCOHNONE= =e 
SCALE Azaes 


Sieur. OC SECTIGN= 


N2ii GRANDE RUE - LE MANS 


iS 


¥ 


's 
5 
oe he 
< 
: 
vhs 


LEMANS, NOP it GRANDE RUE, 


116 


SECTIONS Ad 
ASe ie uli ie: | 


atl Ih 
HIG 
CIS 
stg 
[Tg 


| 
| 


ee Sa 77 © th 5 rial 
a = WW Gy) 
DQ 


NX 


ial 
(] 


— 
<— 


| 


spe tL ey 


ZSZ_SZ 


ll 


| 


= 


EZ 
ies 


rn 


Sr 
at Ne sees Sal 
, " 
-8%3 


a. 
a NELLA 
NY S— —< | 
if \ = LJ 
Va 7 \ 
we > 
. : ‘ 
Se 


lh 


, 


= > 


\ XS 
=o 


! 


Lg 

say 

KAI] 2 
(/ ———— 
gaa 


| 


Ik 


Ul 


i 


| 


SC Ari teaeeen es 


N21 GRANDE RUE-LE MANS 


ies 


Ae 


eal 


ce ae 


giana arom 


a 


1" SU et at 
bs 
~— 


LE MANS) NO; 1°GRANDESRUWE: 


SECTIONS IS 
DB atl); 
SCALE Valdes iG =<) 


} A A 


‘le 
TB i 
Hii; even 


ih! AS We 


5 Ch eases 


NO4tl GRANDE RUE -LE MANS | 


119 


LE MANS, NO. 11 GRANDE RUE; 


120 


rR 


ae 
ie 
— 


” non pe 
e, 2 
> Z 4 a 


LA 


ae 


SECTION 4AA 


SOCKS Seales 


CATHEDRAL: LE PUY 


121 


LE PUY CATH EDRAG 


ee 


eran 
SECTIONZDD oo 
SCALE WtOC as 


SS — 
= 


eee 


\ 
z 
a 
7 a 
‘| : s——<J 
Wet i 
= 
Belya ) 
NY (eee) 
} aad as ma 
Weg esis st 


& 


a4 


4G ; 


- 


i 
fi 
SJ 


5 CALE eee 
SECTION-AA 


NOTRE DAME -LE PUY 


WZ3 


SaaS Ta! | | 


LE PUY, NOTRE DAME. 


124 


OCS Ni ae 
oe A eae Wee Bes: 


Bieri Sie SECT GONeaoas 


HOSPITAL + LE PUY 


LE-PUY, HOSPILTAR: 


126 


SC CTGiNaarrs 
SCALE es 


WVBR LEAL ig [le 
UEP EI [UL eee ees 


 STCTIGN =a 
SCAT yas 


HOSPITAL CHAPEL + LE PUY 


SiGe aA oe 


127 


LE BUY, HOSPIDATS CHAPE1. 


128 


+ | 

OPA lONe we 

SOU heeaA2 tO 
eMee ce 


SONU Reo) SECTION2DD 


SCALE-IBFO 
MUSEUM -LE PUY 


12 


eee aia 
meres: be driest eat of 


al comer quae Ga 


te 


i ada a 


PE PUY, MUSEUM, 


130 


N} AA 


aE Gan 


V2 1-0 


a Oy Dd oy 


PAROCHIAL SCHOOL/LE PUY 


ibs) 


LE PUY, PAROCHIAL sCHOOL 


132 


SECTION~ AL 
SOME 3ihlas 
Pot - Seis ads ave SP See magna 


Yo a 
VSS ee 


J Sos 
{ Wi Ww UP NEA 
ah K AVA VRS 
ALN ZALLN AIK Zit 7 
a) 7 
= A 
So 


Nail 


iS 
R 
epee . 


Cc» 


Sif seeee Se Det eee 
BES | N 
hae Epa 
Ss 


ESS 


te 
AS 
rae a 


Ran Ga Vitae vatOr Of thie 


ST+ MICHEL ~ LEPUY 


133 


LE PUY eS) MIGHT 


134 


—_=> : 


X 


iN 


V4 


SS 
P= 


/ 


A" 
aed 
“ 2 Ke 


4 


SECTION AA 


= 


eae a 


V7 


=> | 
SS 


ITCH ONM 
| YOALE S/A6-\-O" SC NIE tar ace 


| TEMPLE  DIANA-LEPUY —__ 


135 


LE PUY, TEMPLE LOR DIAN. 


136 


Bie! 


‘ SECTION = taken 
SCALE Joo. 


TEMPLE OF DIANA ~- LE PUY 


137, 


LE PUY, TEMPLEOr DIANA: 


138 


EP pe 
sot SL 
A's 
4 lim 
rad K 
=< ra ae 


’QYo!"! 


is 


JECTION- AA 


BRR OATHS 


JCAL Ona 
SCALE 2 33-0" DETAILS 1¥2":-0 


| ST-ETIENNE - LIMOGES 


139 


<p) 


pare 


LIMOGES, SJ ETIENNE: 


| 140 


docndaadets aidog te 5x3 LETT 


Sie rye The THK 


5S ECT ION@DB wap) emer 
SCALE 2-1-0 Spee 


way ty Te 
Saas 
I. | 


2 rt) rt 
N ” om 
Pa ap at 
ae Fs SS 1 GE I 0 ee 


OC Aas Or 


ST+ PIERRE » MOISSAC 


141 


Ws es Re sn. 


ork 


Roe 


is 
aT 
5 
é 
ig 
i 
s 


MOISSACG) Sie PIERRE. 


142 


SECTION? Ad 
SCALE eG: 


SOP whiny Heese Wc) SECTION - DB 


N229 RUE-D® 14 RODD MONTFERRAND 


143 


MONTFERRAND, NO. 29 RUE DE LA RODADE. 


144 


aS 
res @S 
SOA | 15 
Os 
Ap <a 
PS: SS 
iy Gwe 


2 
XD 
42 


De 
LL7% 


tas 


ERE RE 


OT CLION = saa. 


OX OX COLOR A YESOR AO LOT SY Car 


q TST MESSE MET (1 Jef 


wy 
LOXGSURDLORON 0 


py 
fa 
= 
pv} 
ae, 
a 
4 
Ky 
= 
aoa 
pe 


"has 
EU 


of CTO ae 
SC ALT ia as 


TO 
Bic 
I 


ce 


OC NARS? eee: 


PARIS, BOULEVARD DES ITALIENS. 


146 . 


ene Noy | 
: fe 


bY" ay 


OL CTION =i 


SECTION-AI 
SCM T= Walaa 


BNO 


CLUNY MUSEUM ~ PARIS 


OIC uve 


PARIS, CLUNY MUSEUM. 


148 


pe Ge CONN we BNE 4 | 


tes 


DOT ATi ae 


SECTION san 
POS GUN eiey 2 ee SCALE iaees 


CLUNY MUSEUM - PARIS 


149 


= 
=) 
Ga 
nn 
2) 
= 
val 
A 
He) 
4 
O 
a 
(ag 
=< 
A 


SECON an 
SCALE 3472 ae 


Mall & 


Kd gy Tl 
JESS LON 


| 


I 
sl | 
3. 
Sik ——————————— 
l 


} j Le 
-h | 
Va 


SE CIV Nie 


SCALE -\4.1-0° 


E LIBRARY STP GENEVIEVE -° PARIS 


151 


PARIS, LIBRARY STE, GENEVIEVE. 


152 


SE @TION a ed 


CTA Etc e at oO CCTV Nien 
SCALE ie aan 


barn ete 


tit 


PARIS, PALA CH Oe Us BIGE: 


154 


Corte LINE 


oy ON 


osm eeeweerescmrre| ate =: 


jaan ceeasearone |= 24) 


tit 


PUTTER TT TT SA 


ai Sooo 
Pret ee 


PTT TTT TT PATA 


PLOUOAUTANAOUPCARQ ACA ONU 


: 
I 
! 


WY 


VU 
= 


LUT 


BPTI pete ee ere er IT 
Wea8?a tbe 


il 


LEE EO | 


V3": | 


Coenen 


PERPIGNAN 


MUSEUM 


15 


lt a PP 


ie ae Ie 


Me. (er 


aed aiidh 
Ter 


or 


soca |; aalaiiiaieniea % Ueda. 


“ Sapheane iae ~ cece ie ime Smee Hest moe 
& 


<> son sell 2 
vy 


od : ~e 


a” at? A 4 
' ‘ty 

U ip” 

its 5 


PEMA AE REAP sg 


ed ee a PP A AP LA al 


PERPIGNAN, MUSEUM. 


156 


SECTION-AA |] 
JEG a 
DB 
SCALE AVRO 


-@e 


4 


SCALE 36: 


WWveHICaUeL WWETVIUT INARI in 


( <6 


Sema 

Ac ooo! Coy NO" ENG STONY wi 
Ma=*0 16,3 6a AKC LZOS 

DAT mo COTO eT 


Sat esa 


, 
OP 
<6 
6.0 YK 
Y 
——t iS ——— 
——— a 


\ : rs oe ae © wa3 Oe THEE i No r= 
~ . s 


BRAS 


4 
tite 


maroc, 


POITIERS, HOTEL FUMEE. 


158 


SHEAC IRON ae ONE, 


A 


fe 
| a H It 2 
lll 


[| i 
mii pie 
i 


SGAREA lO: 


HOTEL FUMEE ~ POITIERS 


159 


a 


é 


io Swell inate 


we 


SO een, ale amid 


A 


ROG IRE 


—~< Pane Sri x, 


a eres 


, *% 


wnnwopamnses Sono 


7 Drsircrrsasimseoossetrdtiy 


a siripnate 


e Semen weet, 


rd 


A 


POITIERS, HOTEL-BUMEE, 


160 


De SCALE YeekO" 


DEC Tig Nop 


xd \ ) 
(2 -i 
ya es 

PCB | a3 


“aS ff Say : 
TED re Wy ” 2 
7 Fas G Aa 
I<i@r 6 
VANE x 
2 Saray” | SECTIONSA A 
= )) oy 7 ——— 
L, Os sory 


‘ 


IEE 


NNT 


Behe 
TT RRL SS al VA 


YO A q Ty ms 4 
vay, 2 BS = 
V , Seen H : 
eS a6 H x 
1S As 4 = P =e. 7) Bi N 
ih atom] A 
4 e) 
° | 3) uy = 
q 


3) 


| 
ce 


PICU VAS) 


NOTRE DaME“GRANDE,” POITIERS 


161 


=, % : £ ~ yin oh vi 
ae DY ik MRO) 


POITIERS; NOTRE/ DAM BeLA GRANDE. 


162 


LOM Giese om 


A ln | SCALE Uh"=t-6 
| ne alll ee Se 


ee LF ZZ R— AO 
SSF EEE ORES ee 
La” 2 


SRE LAG i Ae 


: ) 
: so | 


Seager Sy 


Ss 


@ 


. 


E DAME LA GRANDE 


NOTR 


, 


POITLERS 


164 


SECA ON ac wie =e 
DG ATE er re, LO: he 


ST PORCHAIRE ~ POITIERS 


165 


POPPERS, ol. PORCHAIRE: 


166 


SECTION AA 
De ALE mele cle 


A 


ey Ee ee 


Sh 
P a 


SGAVE. Pies au DEL 


CHURCH + SURY + LE-COMMTAL* 


SURY LE COMTAL, CHURCH: 


168 


SPOTION= ak 
Si Cus asain oe 


fi 
> 


|) ERE 


al : 
ISIN La terP. 7 
\] 7 LY) (2 Ni 
WA 1% 
i SZ 
\ \ca hy 
N x || RP 
i HAY es 
Uy j= yay 4 
ES. HA IZ) “«K 
v AAS) 
f tad? SS 
AD || #4 
¥ NANA y 
a AY a 
+ Ry] IA 
H || SA NG 
pai || HO IN 
Kays Ext ae 
fas) WN i 
Pits NAY > we 
A RAY) 2 
1 || OX 
~) BA f, 
C4 rave Ps 
SN AY OS 
rl LN, =~ 
AS || AT 1 
yh way 
A || 
Y, svar \) 5 
‘ Hy} |More 
= AIS 40 
CH || A |V 
Ay || WS \\ 
( Pty iE ) 
= — KU 
NS 
ERR ARE PRE RM OOK 
= SSere 


SL CTIONeo oS 
SOM eaicd Oe SCA VES aes 


CATHEDRAL + ST DENIS 


169 


ST. DENIS, CATHEDRAL, 


170 


mG GaN 2 a) 
DON aa 


0 Wea P(C2), 


(Gre 


Y 


SOW 4e-@s SCALE=1Bt0 


PEE 


TARASCONST2MART HA: 


N 
IN 


A 
ofr 
“” a 
A 
4 La 


% Bik | 


| 


i 


i 
—= 
a il nA 
si ee = 


oN 
y 
wa 


f 


__feS 
rw 


ie 
nal = eS 


PPT 
je |] 
eR Ly nn) 


Bebe SieotiGr SECTION? AA 
SCALE (ake 


HOTEL DASSEZAT - TOULOUSE 


173 


TOULOUSE, HOTEL DASSEZAT. 


174 


: 
| 


| 


I 


| 
| 


ci 


— la 
a U3 : | 
| Wa 
t 
l l 
= y ! ) | 
D AY, 
= ! | f | / | 
. I | | | 
YY; | | 
21 | | 
Pa i | | 
} ij 
~ ¥ 
Cx4 
<(y | | | 
i fl | 
: 


| t | f TT | ‘| ll | 
S| a Ll 

= | TRE — Hadll Mg 

Sa =i : — : 
AY 

> a 

VEOH 
> as 


aay 
CLILAL = 
time 
= 


wart 


> ~~, 


> t 


Tun 
i 


Kt 


| 


| 


| 


il 


N 
N 
N 
\ 
N 
Y 
N 
N 
N 
K) 
XN 
N 


MU 


Mh 


! 


_————— 
er 


S.Coh in 


HO 


Wowie Ou 


175 


\ 
— 
"Zi 
vy 
Il Lye 


SCALT 12:10 


aN 
B B . 
: 5 
A 


Sh) 
i 
El Lf 
E644 


SECTION = Ad 


UY: 


TOULOUSE, HOPTELAB ER 


176 


——. 


i \\ 


WR SNS 
NY 


a 
| 


Ul 
Mi 
pt 


PAL TT 
| an 


RS DAA} S SS 


LI 


Sa ae 
a ee 
SSS 


SS 


RS SRY 


SSS 


(se bl 
SS 
X 


iF 


GUO ERCUCUL TO 


SI GAKON | 5) 
PO ye GY 


HOTEL, BERNUY-TOULOUSE, — 


177 


ae oda 


ee ee 


TOULOWSE. HOT Rls HIN UY: 


178 


iii. ie 


> 


OL CNet A 
SGA orl es 


Ab 


\ 
ea Tae rae | a 


S 


c 
a 
Plaza L4 up ‘ Pad ; 


SECTS ie 
4 " 


OL Gr 


SCALE Sze oe SCCRON = ae 


HOTEL™ ROQUETTES ~TOULOUSE 


179 


TOULOUSE, HOTELIDESROOLE Ei its: 


180 


BA 
B 
S 
Bi 


a AE 


= Se 


RCA 20% 202s: 


C25 


) 


—————] 
Eg ; ne SEDO 
<{ 3 ZG 
\ gE 
SE ; i 
7 : P| Vy 
s 
| 
|__t 4 
0; 
= 
is 4 


pie ere 


SiG Wa ree wy eO 5 CALE= aia 


HH OTEL ™ VIEUX RAISIN-TOULOUSE 


181 


ed 64 


=F 


TOULOUSE) HOTEL DU VIEUX RATSIN: 


182 


SEC TON agar 


Salon eaiec SCALE <I: 0" 


—_2 XG a ZR =i 
J SSSA 


5 COMET a aalee, SEG HGN= oo 


HOTEL © VIEUX RAISIN «TOULOUSE 


183 


Pre te ner = 


Lateran Fennel 


2 sti lS ale aloe 
ws er 


wr A 3 RAREST 


et een He 
o ones Se ALE LE LLL A agape 
* 


a ee 


schsesihliintaseine ncaa tenes ailments 


a ris paitcieaensonetnmaamsaneensasanaananeitiaicsininaaapansmaaninneipinreiit 
a mpd ma at a nN itn 


TOULOUSE SHOTEL DUS VIEUX GRATSIN: 


184 


Wes C= FH Yr 


ti 


| 
q 


ie 
Ol 


DELLA TRS 
OC Ais aloe SCALE 125s 


HOTEL #2 VIEUX RAISIN-TOULOUSE* 


185 


RESIN re natant ttn 
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TOULOUSE, HOTEL® DUGVIEGX RALSIN, 


186 


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CENTER LINE 


SLOP ae Wa 5 hoy 


MUSEUM SE RAYM°ND-TOULOUSE 


187 


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TOULOUSE, MUSEUM ST. RAYMOND. 


188 


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189 


TOULOUSE, STv SERNIN: 


190 


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TOULOUSE, Si; SERNIN, 


194 


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NOTRE DAME ~ TULLE 


195 


TULLE, NOTREZ DAME. 


196 


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UZERCHESTIOUSE. 


198 


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SC Ae ices 


ST+ JEAN - VALENCE 


igg 


VALENGE, ST. JEAN; 


200 


AVIGNON, PAPAL PALACE: 


201 


GAHORS, HOUSE OF HENRY IV. 


202 


CHENONCEAUX, CHATEAU 


203 


LE BUY. NOTRE 2 DiaM Ee 


204 


LIMOGES, Sipe TIENNE: 


205 


7 nn 


| 


206 


MACON HOUSE, 


MONTFERRAND, ST. ROBERT. 


Be cen Stee aca 
= 


PARIS, €CLUNY MUSEUM: 


208 


te! mats 


DTP psi 


stb easedestess 


‘ 


; 
‘ 
: 


TOULOUSE,7S 2. SERININ: 


209 


Farm Houses, Manor Houses, 
Minor Chateaux and Small 
Churches in Normandy, 
Brittany and Other 
Panessotsl bance 


Digi ALPE ADAMS*GRAM, Ly. DOLLS D. 


ANY books have been published dealing with the Monu- 
M mental Buildings of France, but for some reason the 

minor architecture has been neglected. This particu- 
larly applies to the Farm and Manor Houses of Brittany and 
Normandy. 


In this volume, the publishers present photographs of more 
than one hundred and sixty of these charming little domestic 
buildings, together with about twenty of the smaller churches 
of Normandy. The period covered is from the Eleventh to the 
Sixteenth Centuries and the book will no doubt prove a most 
important architectural document. 


95 plates, 8x11, with more than 
160 illustrations, bound in cloth. 


Price $10.00 


THE ARCHITECTURAL BooK PUBLISHING Co., INC. 
31 East 12TH STREET, NEW YORK 


Ss 


°) 


a: 
co 2 


GETTY CENTER LIBRARY 


PSL 


3 3125 007 


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